It ended up that she was the only one that got it, and we were able to keep it contained. She knew a person who tested positive, so she was able to get tested right away, and we were able to quarantine. It was kind of right when it was really the worst in our community, and she ended up catching it. Were there unique difficulties involved in navigating a pandemic as both a band and a family?ĪS: Oh, for sure. You’re like, Maybe we’ll work on some songs. You get done touring a record, and maybe you got a couple songs.
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Maybe we should try to figure out how to record.ĪS: Sometimes, it’s kind of automatic. Mimi Parker: Honestly, I feel like we kind of surprised ourselves because I don’t think we really thought, We’re going to release a pandemic record.ĪS: We just thought, I guess this is going on awhile. I feel like I know the story of every album and every baby that I see nowadays: “We were all stuck inside.” What are the specific origins of Hey What? I spoke to Alan and Mimi in September about minimalism, Minnesota, and balancing family, work, church, and the pandemic. Nearly 30 years along, Low is still reinventing itself. It picks up where Double Negative left off, pushing the ambient, droning guitar sounds of the last album even further out, with Alan and Mimi’s crisp vocal interplay acting as an anchor. Hey What, the 13th album from Low, isn’t your typical latter-day indie-rock offering.
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In the spring of 2020, Low got to work with producer BJ Burton - who’d helped guide the band through the synthetic landscapes and electronic accents of Double Negative and 2015’s Ones and Sixes - and initiated “It’s Friday, I’m in Low,” a weekly Instagram Live concert series where the band tackles songs from every corner of a catalogue that includes ’90s classics like Long Division and The Curtain Hits the Cast and ’00s gems like Things We Lost in the Fire. But who could plan for the indefinite stasis of a pandemic? The band, which presently comprises the husband-and-wife duo of singer-guitarist Alan Sparhawk and singer-percussionist Mimi Parker, could only remain idle for so long.
The tour for 2018’s exquisite, experimental Double Negative had wrapped in 2019, and downtime was in order. A family as much as a band, Duluth indie-rock veterans Low had already planned on having a quiet year when the music industry ground to a halt last March.
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